Investigations into film studies that address specific directors, genres, national/regional traditions, periods, theories, and/or theorists. Attention might center upon Hitchcock, Kurosawa, or Varda; on the documentary, the romantic comedy, the science fiction film, or the western; on Cuban, Italian, Korean, or West African film, on the silent-to-sound transition of a century ago, or the traditionally- to digitally-animated transition of this century; on apparatus, or auteur, or feminist, or psychoanalytic film theory; or via the work of Cavell, Deleuze, Mulvey, or Žižek, for example. This course may be repeated for different topics. This course will be offered in 2024-25, and in alternating years thereafter.